LES MISÉRABLES.

BY

VICTOR HUGO.

PART THIRD.

MARIUS.

AUTHORIZED TRANSLATION BY SIR LASCELLES WRAXALL.

BOSTON:

LITTLE, BROWN, AND COMPANY.

1887.

MARIUS

TABLE OF CONTENTS.

MARIUS.

Illustrations.

MARIUS Vol. III. Frontispiece
Drawn by G. Jeanniot.

BEGINNING OF A GREAT MALADY
Drawn by G. Jeanniot.

MARIUS

BOOK I.

PARIS STUDIED IN ITS GAMIN.

CHAPTER I.

PARVULUS.

Paris has a child and the forest has a bird; the bird is called a sparrow, the child is called a gamin. Couple these two ideas, the one which is all furnace, the other all dawn; bring the two sparks, Paris and childhood, into collision, and a little being is produced,—a homuncio, as Plautus would say.

This little being is joyous; he does not eat every day, and he goes to the theatre every night if he thinks proper. He has no shirt on his body, no shoes on his feet, and no covering on his head; he is like the flies, which have none of those things. He is from seven to thirteen years of age, lives in gangs, rambles about the streets, lodges in the open air, wears an old pair of his father's trousers, which descend lower than his heels, an old hat belonging to some other father, which comes below his ears, and one yellow list brace. He runs, watches, begs, kills time, colors pipes, swears like a fiend, haunts the wine-shop, knows thieves, is familiar with women of the town, talks slang, sings filthy songs, and has nothing bad in his heart; for he has in his soul a pearl, Innocence; and pearls are not dissolved by mud. So long as the man is a child, God desires that he should be innocent. If we were to ask the enormous city, "What is this creature?" it would reply, "It is my little one."

CHAPTER II.