MAME BOUGON IS THUNDER-STRUCK.
The next day, Mame Bougon,—it was thus that Courfeyrac called the old portress, principal lodger, and charwoman, of No. 50-52, though her real name was Madame Bourgon, as we have stated; but that scamp of a Courfeyrac respected nothing,—Mame Bougon, to her stupefaction, noticed that Marius again went out in his best coat. He returned to the Luxembourg, but did not go beyond his half-way bench; he sat down there, as on the previous day, regarding from a distance, and seeing distinctly, the white bonnet, the black dress, and, above all, the blue radiance. He did not move or return home till the gates of the Luxembourg were closed. He did not see M. Leblanc and his daughter go away, and hence concluded that they left the garden by the gate in the Rue de l'Ouest. Some weeks after, when reflecting on the subject, he could never remember where he dined that day. On the next day, the third, Mame Bougon received another thunder-stroke; Marius went out in his new coat. "Three days running!" she exclaimed. She tried to follow him, but Marius walked quickly, and with immense strides: it was a hippopotamus attempting to overtake a chamois. She lost him out of sight in two minutes, and went back panting, three parts choked by her asthma, and furious. "What sense is there," she growled, "in putting on one's best coat every day, and making people run like that!"
Marius had gone to the Luxembourg, where M. Leblanc and the young lady were already. Marius approached as near to them as he could, while pretending to read his book, though still a long distance off, and then sat down on his bench, where he spent four hours in watching the sparrows, which he fancied were ridiculing him, hopping about in the walk. A fortnight passed in this way; Marius no longer went to the Luxembourg to walk, but always to sit down at the same spot, without knowing why. Arriving, he did not stir. He every morning put on his new coat, although he did not show himself, and began again on the morrow. She was decidedly, marvellously beautiful; the sole remark resembling a criticism that could be made was that the contradiction between her glance, which was sad, and her smile, which was joyous, gave her face a slightly startled look, which at times caused this gentle face to become strange without ceasing to be charming.
CHAPTER VI.
TAKEN PRISONER.
On one of the last days of the second week Marius was as usual seated on his bench, holding in his hand an open book in which he had not turned a page for several months, when he suddenly started; an event was occurring at the end of the walk. M. Leblanc and his daughter had left their bench, the girl was holding her father's arm, and both were proceeding slowly toward the middle of the walk where Marius was. He shut his book, then opened it again and tried to read, but he trembled, and the glory came straight toward him. "Oh, Heaven!" he thought, "I shall not have the time to assume an attitude." The white-haired man and the girl, however, advanced; it seemed to him as if this lasted an age, and it was only a second. "What do they want here?" he asked himself. "What! she is going to pass here; her feet will tread this sand, this walk, two paces from me!" He was quite upset; he would have liked to be very handsome, and have the cross. He heard the soft measured sound of their footsteps approaching him, and he imagined that M. Leblanc glanced at him irritably. "Is this gentleman going to speak to me?" he thought. He hung his head, and when he raised it again they were close to him. The girl passed, and in passing looked at him,—looked at him intently, with a thoughtful gentleness which made Marius shudder from head to foot. It seemed to him as if she reproached him for keeping away from her so long, and was saying, "I have come instead." Marius was dazzled by these eyeballs full of beams and abysses. He felt that his brain was on fire. She had come toward him—what joy!—and then, she had looked at him. She appeared to him lovelier than she had ever been,—lovely with a beauty at once feminine and angelic, a perfect beauty, which would have made Petrarch sing and Dante kneel. He felt as if he were floating in the blue sky, but at the same time he was horribly annoyed because he had dust on his boots, and he felt sure that she had looked at his boots too.
He looked after her till she disappeared, and then walked about the garden like a maniac. He probably at times laughed to himself and talked aloud. He was so pensive near the nursery-maids that each of them fancied him in love with her. He quitted the Luxembourg, hoping to meet her again in the street. He met Courfeyrac under the arcades of the Pantheon, and said to him, "Come and dine with me." They went to Rousseau's and spent six francs. Marius ate like an ogre, and gave six sous to the waiter. After dinner he said to Courfeyrac, "Have you read the papers? What a fine speech Audry de Puyraveau made!" He was distractedly in love. He then said to Courfeyrac, "Let us go to the theatre,—I'll pay." They went to the Porte St. Martin to see Frederick in the "Auberge des Adrets," and Marius was mightily amused. At the same time he became more virtuous than ever. On leaving the theatre he refused to look at the garter of a dressmaker who was striding across a gutter, and Courfeyrac happening to say, "I should like to place that woman in my collection," he almost felt horrified. Courfeyrac invited him to breakfast next morning at the Café Voltaire. He went there, and ate even more than on the previous day. He was thoughtful and very gay, and seemed to take every opportunity to laugh noisily. A party of students collected round the table and spoke of the absurdities paid for by the State, which are produced from the pulpit of the Sorbonne, and then the conversation turned to the faults and gaps in dictionaries. Marius interrupted the discussion by exclaiming, "And yet it is very agreeable to have the cross."
"That is funny!" Courfeyrac whispered to Jean Prouvaire.
"No, it is serious," the other answered.
It was in truth serious; Marius had reached that startling and charming hour which commences great passions. A look had effected all this. When the mine is loaded, when the fire is ready, nothing is more simple, and a glance is a spark. It was all over; Marius loved a woman, and his destiny was entering the unknown. The glance of a woman resembles certain wheels which are apparently gentle but are formidable: you daily pass by their side with impunity, and without suspecting anything, and the moment arrives when you even forget that the thing is there. You come, you go, you dream, you speak, you laugh, and all in a minute you feel yourself caught, and it is all over with you. The wheel holds you, the glance has caught you; it has caught, no matter where or how, by some part of your thought which dragged after you, or by some inattention on your part. You are lost, and your whole body will be drawn in; a series of mysterious forces seizes you, and you struggle in vain, for human aid is no longer possible. You pass from cog-wheel to cog-wheel, from agony to agony, from torture to torture, —you and your mind, your fortune, your future, and your soul; and, according as you are in the power of a wicked creature or of a noble heart, you will issue from this frightful machinery either disfigured by shame or transfigured by passion.