SWEET SISTER.
TO CRUEL OCEAN.
Where are the hapless shipmen?—disappeared,
Gone down, where witness none, save Night, hath been,
Ye deep, deep waves, of kneeling mothers feared,
What dismal tales know ye of things unseen?
Tales that ye tell your whispering selves between
The while in clouds to the flood-tide ye pour;
And this it is that gives you, as I ween,
Those mournful voices, mournful evermore,
When ye come in at eve to us who dwell on shore.
Gone down, where witness none, save Night, hath been,
Ye deep, deep waves, of kneeling mothers feared,
What dismal tales know ye of things unseen?
Tales that ye tell your whispering selves between
The while in clouds to the flood-tide ye pour;
And this it is that gives you, as I ween,
Those mournful voices, mournful evermore,
When ye come in at eve to us who dwell on shore.
ESMERALDA IN PRISON.
("Phoebus, n'est-il sur la terre?")
{OPERA OF "ESMERALDA," ACT IV., 1836.}
{OPERA OF "ESMERALDA," ACT IV., 1836.}
Phoebus, is there not this side the grave,
Power to save
Those who're loving? Magic balm
That will restore to me my former calm?
Is there nothing tearful eye
Can e'er dry, or hush the sigh?
I pray Heaven day and night,
As I lay me down in fright,
To retake my life, or give
All again for which I'd live!
Phoebus, hasten from the shining sphere
To me here!
Hither hasten, bring me Death; then Love
May let our spirits rise, ever-linked, above!
Power to save
Those who're loving? Magic balm
That will restore to me my former calm?
Is there nothing tearful eye
Can e'er dry, or hush the sigh?
I pray Heaven day and night,
As I lay me down in fright,
To retake my life, or give
All again for which I'd live!
Phoebus, hasten from the shining sphere
To me here!
Hither hasten, bring me Death; then Love
May let our spirits rise, ever-linked, above!
LOVER'S SONG.
("Mon âme à ton coeur s'est donnée.")
{ANGELO, Act II., May, 1835.}
{ANGELO, Act II., May, 1835.}
My soul unto thy heart is given,
In mystic fold do they entwine,
So bound in one that, were they riven,
Apart my soul would life resign.
Thou art my song and I the lyre;
Thou art the breeze and I the brier;
The altar I, and thou the fire;
Mine the deep love, the beauty thine!
As fleets away the rapid hour
While weeping—may
My sorrowing lay
Touch thee, sweet flower.
ERNEST OSWALD COE.
In mystic fold do they entwine,
So bound in one that, were they riven,
Apart my soul would life resign.
Thou art my song and I the lyre;
Thou art the breeze and I the brier;
The altar I, and thou the fire;
Mine the deep love, the beauty thine!
As fleets away the rapid hour
While weeping—may
My sorrowing lay
Touch thee, sweet flower.
ERNEST OSWALD COE.
A FLEETING GLIMPSE OF A VILLAGE.
("Tout vit! et se pose avec grâce.")
("Tout vit! et se pose avec grâce.")
How graceful the picture! the life, the repose!
The sunbeam that plays on the porchstone wide;
And the shadow that fleets o'er the stream that flows,
And the soft blue sky with the hill's green side.
Fraser's Magazine.
The sunbeam that plays on the porchstone wide;
And the shadow that fleets o'er the stream that flows,
And the soft blue sky with the hill's green side.
Fraser's Magazine.
LORD ROCHESTER'S SONG.
("Un soldat au dur visage.")
{CROMWELL, ACT I.}
{CROMWELL, ACT I.}
"Hold, little blue-eyed page!"
So cried the watchers surly,
Stern to his pretty rage
And golden hair so curly—
"Methinks your satin cloak
Masks something bulky under;
I take this as no joke—
Oh, thief with stolen plunder!"
"I am of high repute,
And famed among the truthful:
This silver-handled lute
Is meet for one still youthful
Who goes to keep a tryst
With her who is his dearest.
I charge you to desist;
My cause is of the clearest."
But guardsmen are so sharp,
Their eyes are as the lynx's:
"That's neither lute nor harp—
Your mark is not the minxes.
Your loving we dispute—
That string of steel so cruel
For music does not suit—
You go to fight a duel!"
So cried the watchers surly,
Stern to his pretty rage
And golden hair so curly—
"Methinks your satin cloak
Masks something bulky under;
I take this as no joke—
Oh, thief with stolen plunder!"
"I am of high repute,
And famed among the truthful:
This silver-handled lute
Is meet for one still youthful
Who goes to keep a tryst
With her who is his dearest.
I charge you to desist;
My cause is of the clearest."
But guardsmen are so sharp,
Their eyes are as the lynx's:
"That's neither lute nor harp—
Your mark is not the minxes.
Your loving we dispute—
That string of steel so cruel
For music does not suit—
You go to fight a duel!"
THE BEGGAR'S QUATRAIN.
("Aveugle comme Homère.")
{Improvised at the Café de Paris.}
{Improvised at the Café de Paris.}
Blind, as was Homer; as Belisarius, blind,
But one weak child to guide his vision dim.
The hand which dealt him bread, in pity kind—
He'll never see; God sees it, though, for him.
H.L.C., "London Society."
But one weak child to guide his vision dim.
The hand which dealt him bread, in pity kind—
He'll never see; God sees it, though, for him.
H.L.C., "London Society."
THE QUIET RURAL CHURCH.
It was a humble church, with arches low,
The church we entered there,
Where many a weary soul since long ago
Had past with plaint or prayer.
Mournful and still it was at day's decline,
The day we entered there;
As in a loveless heart, at the lone shrine,
The fires extinguished were.
Scarcely was heard to float some gentlest sound,
Scarcely some low breathed word,
As in a forest fallen asleep, is found
Just one belated bird.
The church we entered there,
Where many a weary soul since long ago
Had past with plaint or prayer.
Mournful and still it was at day's decline,
The day we entered there;
As in a loveless heart, at the lone shrine,
The fires extinguished were.
Scarcely was heard to float some gentlest sound,
Scarcely some low breathed word,
As in a forest fallen asleep, is found
Just one belated bird.
A STORM SIMILE.
("Oh, regardez le ciel!")
{June, 1828.}
("Oh, regardez le ciel!")
{June, 1828.}
See, where on high the moving masses, piled
By the wind, break in groups grotesque and wild,
Present strange shapes to view;
Oft flares a pallid flash from out their shrouds,
As though some air-born giant 'mid the clouds
Sudden his falchion drew.
By the wind, break in groups grotesque and wild,
Present strange shapes to view;
Oft flares a pallid flash from out their shrouds,
As though some air-born giant 'mid the clouds
Sudden his falchion drew.
DRAMATIC PIECES.
THE FATHER'S CURSE.
("Vous, sire, écoutez-moi.")
{LE ROI S'AMUSE, Act I.}
{LE ROI S'AMUSE, Act I.}
M. ST. VALLIER (an aged nobleman, from whom King Francis I.
decoyed his daughter, the famous beauty, Diana of
Poitiers).
A king should listen when his subjects speak:
'Tis true your mandate led me to the block,
Where pardon came upon me, like a dream;
I blessed you then, unconscious as I was
That a king's mercy, sharper far than death,
To save a father doomed his child to shame;
Yes, without pity for the noble race
Of Poitiers, spotless for a thousand years,
You, Francis of Valois, without one spark
Of love or pity, honor or remorse,
Did on that night (thy couch her virtue's tomb),
With cold embraces, foully bring to scorn
My helpless daughter, Dian of Poitiers.
To save her father's life a knight she sought,
Like Bayard, fearless and without reproach.
She found a heartless king, who sold the boon,
Making cold bargain for his child's dishonor.
Oh! monstrous traffic! foully hast thou done!
My blood was thine, and justly, tho' it springs
Amongst the best and noblest names of France;
But to pretend to spare these poor gray locks,
And yet to trample on a weeping woman,
Was basely done; the father was thine own,
But not the daughter!—thou hast overpassed
The right of monarchs!—yet 'tis mercy deemed.
And I perchance am called ungrateful still.
Oh, hadst thou come within my dungeon walls,
I would have sued upon my knees for death,
But mercy for my child, my name, my race,
Which, once polluted, is my race no more.
Rather than insult, death to them and me.
I come not now to ask her back from thee;
Nay, let her love thee with insensate love;
I take back naught that bears the brand of shame.
Keep her! Yet, still, amidst thy festivals,
Until some father's, brother's, husband's hand
('Twill come to pass!) shall rid us of thy yoke,
My pallid face shall ever haunt thee there,
To tell thee, Francis, it was foully done!...
TRIBOULET (the Court Jester), sneering. The poor man
raves.
ST. VILLIER. Accursed be ye both!
Oh Sire! 'tis wrong upon the dying lion
To loose thy dog! (Turns to Triboulet) And thou, whoe'er thou art,
That with a fiendish sneer and viper's tongue
Makest my tears a pastime and a sport,
My curse upon thee!—Sire, thy brow doth bear
The gems of France!—on mine, old age doth sit;
Thine decked with jewels, mine with these gray hairs;
We both are Kings, yet bear a different crown;
And should some impious hand upon thy head
Heap wrongs and insult, with thine own strong arm
Thou canst avenge them! God avenges mine!
FREDK. L. SLOUS.
decoyed his daughter, the famous beauty, Diana of
Poitiers).
A king should listen when his subjects speak:
'Tis true your mandate led me to the block,
Where pardon came upon me, like a dream;
I blessed you then, unconscious as I was
That a king's mercy, sharper far than death,
To save a father doomed his child to shame;
Yes, without pity for the noble race
Of Poitiers, spotless for a thousand years,
You, Francis of Valois, without one spark
Of love or pity, honor or remorse,
Did on that night (thy couch her virtue's tomb),
With cold embraces, foully bring to scorn
My helpless daughter, Dian of Poitiers.
To save her father's life a knight she sought,
Like Bayard, fearless and without reproach.
She found a heartless king, who sold the boon,
Making cold bargain for his child's dishonor.
Oh! monstrous traffic! foully hast thou done!
My blood was thine, and justly, tho' it springs
Amongst the best and noblest names of France;
But to pretend to spare these poor gray locks,
And yet to trample on a weeping woman,
Was basely done; the father was thine own,
But not the daughter!—thou hast overpassed
The right of monarchs!—yet 'tis mercy deemed.
And I perchance am called ungrateful still.
Oh, hadst thou come within my dungeon walls,
I would have sued upon my knees for death,
But mercy for my child, my name, my race,
Which, once polluted, is my race no more.
Rather than insult, death to them and me.
I come not now to ask her back from thee;
Nay, let her love thee with insensate love;
I take back naught that bears the brand of shame.
Keep her! Yet, still, amidst thy festivals,
Until some father's, brother's, husband's hand
('Twill come to pass!) shall rid us of thy yoke,
My pallid face shall ever haunt thee there,
To tell thee, Francis, it was foully done!...
TRIBOULET (the Court Jester), sneering. The poor man
raves.
ST. VILLIER. Accursed be ye both!
Oh Sire! 'tis wrong upon the dying lion
To loose thy dog! (Turns to Triboulet) And thou, whoe'er thou art,
That with a fiendish sneer and viper's tongue
Makest my tears a pastime and a sport,
My curse upon thee!—Sire, thy brow doth bear
The gems of France!—on mine, old age doth sit;
Thine decked with jewels, mine with these gray hairs;
We both are Kings, yet bear a different crown;
And should some impious hand upon thy head
Heap wrongs and insult, with thine own strong arm
Thou canst avenge them! God avenges mine!
FREDK. L. SLOUS.
PATERNAL LOVE.