290.

One Thing is Needful.—To "give style" to one's character—that is a grand and a rare art! He who surveys all that his nature presents in its strength and in its weakness, and then fashions it into an ingenious plan, until everything appears artistic and rational, and even the weaknesses enchant the eye—exercises that admirable art. Here there has been a great amount of second nature added, there a portion of first nature has been taken away:—in both cases with long exercise and daily labour at the task. Here the ugly, which does not permit of being taken away, has been concealed, there it has been re-interpreted into the sublime. Much of the vague, which refuses to take form, has been reserved and utilised for the perspectives:—it is meant to give a hint of the remote and immeasurable. In the end, when the work has been completed, it is revealed how it was the constraint of the same taste that organised and fashioned it in whole or in part: whether the taste was good or bad is of less importance than one thinks,—it is sufficient that it was a taste!—It will be the strong imperious natures which experience their most refined joy in such constraint, in such confinement and perfection under their own law; the passion of their violent volition lessens at the sight of all disciplined nature, all conquered and ministering nature: even when they have palaces to build and gardens to lay out, it is not to their taste to allow nature to be free.—It is the reverse with weak characters who have not power over themselves, and hate the restriction of style: they feel that if this repugnant constraint were laid upon them, they would necessarily become vulgarised under it: they become slaves as soon as they serve, they hate service. Such intellects—they may be intellects of the first rank—are always concerned with fashioning or interpreting themselves and their surroundings as free nature—wild, arbitrary, fantastic, confused and surprising: and it is well for them to do so, because only in this manner can they please themselves! For one thing is needful: namely, that man should attain to satisfaction with himself—be it but through this or that fable and artifice: it is only then that man's aspect is at all endurable! He who is dissatisfied with himself is ever ready to avenge himself on that account: we others will be his victims, if only in having always to endure his ugly aspect. For the aspect of the ugly makes one mean and sad.

291.

Genoa.—I have looked upon this city, its villas and pleasure-grounds and the wide circuit of its inhabited heights and slopes, for a considerable time: in the end I must say that I see countenances out of past generations,—this district is strewn with the images of bold and autocratic men. They have lived and have wanted to live on—they say so with their houses, built and decorated for centuries, and not for the passing hour: they were well disposed to life, however ill-disposed they may often have been towards themselves. I always see the builder, how he casts his eye on all that is built around him far and near, and likewise on the city, the sea, and the chain of mountains; how he expresses power and conquest in his gaze: all this he wishes to fit into his plan, and in the end make it his property, by its becoming a portion of the same. The whole district is overgrown with this superb, insatiable egoism of the desire to possess and exploit; and as these men when abroad recognised no frontiers, and in their thirst for the new placed a new world beside the old, so also at home everyone rose up against everyone else, and devised some mode of expressing his superiority, and of placing between himself and his neighbour his personal illimitableness. Everyone won for himself his home once more by over-powering it with his architectural thoughts, and by transforming it into a delightful sight for his race. When we consider the mode of building cities in the north, the law and the general delight in legality and obedience, impose upon us: we thereby divine the propensity to equality and submission which must have ruled in those builders. Here, however, on turning every corner you find a man by himself, who knows the sea, knows adventure, and knows the Orient, a man who is averse to law and to neighbour, as if it bored him to have to do with them, a man who scans all that is already old and established, with envious glances: with a wonderful craftiness of fantasy, he would like, at least in thought, to establish all this anew, to lay his hand upon it, and introduce his meaning into it—if only for the passing hour of a sunny afternoon, when for once his insatiable and melancholy soul feels satiety, and when only what is his own, and nothing strange, may show itself to his eye.