THE REMARKS OF THE CHIEF LODGER.
Jean Valjean was so prudent as never to go out by day; every evening he walked out for an hour or two, sometimes alone, but generally with Cosette in the most retired streets, and entering the churches at nightfall. When he did not take Cosette with him, she remained with the old woman; but it was her delight to go out with him. She preferred an hour with him to the ravishing têtes-à-têtes with Catherine. He walked along holding her by the hand, and talking pleasantly with her, for Cosette's temper turned to be extremely gay.
The old woman cleaned, cooked, and bought food for them; they lived quietly, always having a little fire, but as if they were very poor. Jean Valjean had made no change in the furniture since the first day, except that he had a wooden door put up in place of the glass door in Cosette's sleeping closet. He still wore his yellow coat, black breeches, and old hat, and in the streets he was taken for a poor man. It happened at times that charitable women turned and gave him a sou, which Jean Valjean accepted with a deep bow. It happened at times also that he met some wretch asking for charity; in such a case he looked behind him to see that no one was watching, furtively approached the beggar, gave him money,—now and then silver,—and hurried away. This entailed inconveniences, for people began to know him in the district under the name of the alms-giving beggar. The old chief lodger, a spiteful creature, full of envy and uncharitableness toward her neighbors, watched him closely, though he did not suspect it. She was rather deaf, which rendered her prone to gossip, and there remained to her from the past two teeth, one atop and one at bottom, which she constantly rattled against each other. She questioned Cosette, who, knowing nothing, could say nothing except that she came from Montfermeil. One day this spy saw Jean Valjean go into one of the uninhabited rooms in a way that seemed to her peculiar. She followed him with the stealthy step of an old cat, and was able to watch him, herself unseen, through the crack of the door, to which Jean Valjean turned his back, doubtless as a greater precaution. She saw him take out of his pocket a pair of scissors, needle, and thread, and then begin ripping up the lining of his coat, and pull out a piece of yellow paper, which he unfolded. The old woman recognized with horror that it was a thousand-franc note, the second or third she had seen in her life, and she fled in terror. A moment after Jean Valjean addressed her, and requested her to change the note for him, adding that it was his half-year's dividend, which he had received on the previous day. "When?" the old woman thought; "he did not go out till six in the evening, and the Bank is certainly not open at that hour." The old woman went to change the note and made her conjectures; the amount of money being considerably multiplied, afforded a grand topic of conversation for the gossips of the Rue des Vignes St. Marcel.
A few days after it happened that Jean Valjean, in his shirt-sleeves, was chopping wood in the passage, and the old woman was in his room cleaning up. She was alone, for Cosette was admiring the wood-chopping. She saw the coat hanging on a nail, and investigated it. The lining had been sewn up again, but the good woman felt it carefully, and fancied she could notice folds of paper between the cloth and the lining. More bank-notes, of course! She also noticed that there were all sorts of things in the pockets; not only the needles, scissors, and thread she had seen, but a large portfolio, a big clasp knife, and, most suspicious fact of all, several different colored wigs. Each pocket of this coat seemed to be a species of safeguard against unexpected events.
The inhabitants of the house thus reached the last days of winter.
CHAPTER V.
NOISE MADE BY A FALLING FIVE-FRANC PIECE.
There was near S. Médard's church a poor man who usually sat on the edge of a condemned well, to whom Jean Valjean liked to give alms. He never passed him without giving him a trifle, and at times spoke to him. The persons who envied this beggar said that he belonged to the police, and he was an ex-beadle seventy-five years of age, who was constantly telling his beads. One evening when Jean Valjean passed alone, he perceived the beggar at his usual place under the lamp which had just been lit. The man, according to his habit, seemed to be praying, and was crouched. Jean Valjean went up to him and placed his usual charity in his hand, and the beggar suddenly raised his eyes, looked fixedly at Jean Valjean, and then let his head hang again. This movement was like a flash, but Jean Valjean gave a start; he fancied that he had seen by the flickering light of the lamp not the placid and devout face of the old beadle, but a terrifying and familiar face. He had such a feeling as he would have had had he suddenly found himself face to face with a tiger in the darkness. He recoiled, terrified and petrified, not daring to breathe, remain, or fly, staring at the beggar, who had let his head fall, and did not appear to know that he was there. At this strange moment, an instinct, perhaps that of self-preservation, urged Valjean not to utter a syllable. The beggar was of the same height, wore the same rags, and looked as he did every day. "Stuff!" said Valjean, "I am mad; dreaming; it is impossible!" And he went home sorely troubled in mind. He hardly dared confess to himself that the face which he fancied he had seen was Javert's. At night, on reflecting, he regretted that he had not spoken to the man and made him raise his head a second time. The next evening he returned and found the beggar at his seat. "Good day, my man," Jean Valjean said resolutely, as he gave him a sou. The beggar raised his head and replied in a complaining voice, "Thank you, my good gentleman." It was certainly the old beadle. Jean Valjean felt fully reassured, and began laughing. "How on earth could I have thought that it was Javert? Am I getting blind?" and he thought no more of it.
A few days later, at about eight in the evening, he was giving Cosette a spelling lesson, when he heard the house door open and then close again. This appeared to him singular, for the old woman, who alone lived in the house beside himself, always went to bed at nightfall to save candle. Jean Valjean made Cosette a sign to be silent, for he heard some one coming upstairs. After all it might be the old woman, who felt unwell, and had been to the chemist's. Jean Valjean listened; the footstep was heavy and sounded like a man's; but the old woman wore thick shoes, and nothing so closely resembles a man's footstep as an old woman's. For all that, though, Jean Valjean blew out his candle. He had sent Cosette to bed, saying in a whisper, "Make no noise," and while he was kissing her forehead the footsteps stopped. Jean Valjean remained silently in his chair, with his back turned to the door, and holding his breath in the darkness. After a long interval, hearing nothing more, he turned noiselessly, and, on looking at his door, saw a light through the key-hole, which formed a sort of sinister star in the blackness of the door and the wall. There was evidently some one there holding a candle in his hand and listening. A few minutes passed, and then the light went away: still he did not hear the sound of footsteps, which seemed to indicate that the man who came to listen had taken off his shoes. Jean Valjean threw himself full-dressed on his bed, and could not close his eyes all night. At daybreak, when he was just yielding to fatigue, he was aroused by the creaking of a door which opened into a room at the end of the passage, and then heard the same footstep which had ascended the stairs the previous evening drawing nearer. He put his eye to the key-hole, which was rather large, in the hope of seeing the man who had listened at his door over-night. It was really a man, who this time passed Jean Valjean's door without stopping. The passage was still too dark for him to distinguish his face; but when the man reached the staircase a ray of light from outside fell upon him, and Jean Valjean saw his back perfectly. He was a tall man, dressed in a long coat, with a cudgel under his arm; and he was very like Javert. Valjean might have tried to see him on the boulevard through his window; but for that purpose he must have opened it, and that he dared not do. It was plain that this man came in with a key and was quite at home. Who gave him this key? What did it mean? At seven o'clock, when the old woman came to clean up, Jean Valjean gave her a piercing glance, but did not question her. The good woman was as calm as usual, and while sweeping she said to him,—
"I suppose you heard some one come in last night, sir?"
At that age, and on that boulevard, eight in the evening is the blackest night.
"Yes, I remember," he said, with the most natural accent. "Who was it?"
"A new lodger in the house."
"What is his name?"
"I forget. Dumont or Daumont,—something like that."
"And what may he be?"
The old woman looked at him with her little ferret eyes, and answered,—
"He lives on his property, like yourself."
Perhaps she meant nothing, but Jean Valjean fancied that he could detect a meaning. When the old woman had gone off he made a rouleau of some hundred francs which he had in a chest of drawers and put it in his pocket. Whatever precautions he took to keep the money from rattling, a five-franc piece fell from his hand and rolled noisily on the floor. At nightfall he went down and looked attentively all along the boulevard: he saw nobody, and it seemed utterly deserted. It is true that some one might have been concealed behind the trees. He went up again, and said to Cosette, "Come!" He took her hand and both left the house together.