CHAPTER XLI.
FINALE.
After reading the preceding letters, there is no one who has cared to follow Dolly's fortunes thus far that is not ready to declare the end of the story.
One sees how the Christmas holidays stretched on and on; how Aunt and Grandmamma importuned Dolly to stay longer; how Dolly staid, and how she and Cousin Alfred walked and talked and studied New England history, and visited all the shrines in Boston and Cambridge and the region round about; how Aunt Debby plumed herself on the interesting state of things evidently growing up, but wisely said nothing to either party; how at last when spring came, and April brought back the mayflower buds, and Dolly felt that she could stay no longer but must go home to her parents, "Cousin Alfred" declared that he could not think of her taking a three days' journey alone, that he must go with her and protect her, and improve the opportunity to make the acquaintance of his relations in the country.
All this came to pass, and one fine evening, just at sunset, Hiel drove into Poganuc in glory, and deposited Dolly and her little hair trunk and her handsome attendant at the Parsonage door.
There was a bluebird singing on the top of the tall buttonwood tree opposite, just as he used to sing years before; and, as to Hiel, he returned home even better content with himself than ordinarily.
"There now, Nabby! didn't I tell ye what would happen when Dolly went to Boston? Wal, I've just set her down to the Doctor's with as fine a young sprig as you'd wish to see, who came all the way from Boston with her. I tell you, that air young man's eyes is sot; he knows what he's come to Poganuc fer, ef no one else don't."
"Dear me!" exclaimed Nabby and Mother Jones, both rushing to the window simultaneously with the vain hope of getting a glimpse.
"Oh, there's no use lookin'!" said Hiel; "they're gone in long ago. Doctor and Mis' Cushing was standin' in the door-way when I come up, and mighty glad they was to see her, and him too, and shook hands with him. Oh, thet air's a fixed-up thing, you may depend."
"Dear me, what is he?" queried Mother Jones. "Do you know, Hiel?"
"Of course I know," said Hiel; "he's a merchant in the Injy trade up there to Boston. I expect he makes lots o' money."
"Dear me! I hope they won't set their hearts on worldly prosperity," said Mother Jones in a lugubrious tone; "this 'ere's a dyin' world."
"For all that, Mother," said Hiel as they sat down to the tea-table, "you enjoy a cup o' hot tea as well as any woman livin', and why shouldn't the parson's folks be glad o' their good things?"
"Wal, I don' know," answered Mother Jones, "but it allers kind o' scares me when everything seems to be goin' jest right fer folks. Ye know the hymn says:
'We should suspect some danger nigh
When we possess delight.'
I remember poor Bill Parmerlee fell down dead the very week he was married!"
"Well, Nabby and I neither of us fell down dead when we was married," said Hiel, "and nobody else that ever I heerd on, so we won't weep and wail if Dolly Cushing hez got a rich, handsome feller, and is goin' to live in Boston."
But, after all, Dolly and Alfred Dunbar were not yet engaged. No decisive word had been spoken between them; though it seemed now as if but a word were wanting.
It was after a week of happy visiting, when he had made himself most charming to all in the house, when Dolly and he had together explored every walk and glen and waterfall around Poganuc, that at last the young man found voice to ask the Doctor for what he wanted; and, armed with the parental approval, to put the decisive question to Dolly. Her answer is not set down. But it is on record that in the month of June there was a wedding at Poganuc which furnished the town with things to talk about for weeks.
It was a radiant June morning, when the elms of Poganuc were all alive with birds, when the daisies were white in the meadows, and the bobolink on the apple-tree was outdoing himself, that Hiel drove up to the door of the Parsonage to take Dolly and her husband their first day's journey towards their new home. There were the usual smiles and tears and kissing and crying, and then Hiel shut the stage-door, mounted his box, and drove away in triumph. It was noticed that he had ornamented his horses with a sprig of lilac blossoms over each ear, and wore a great bouquet in his button-hole.
And so our Dolly goes to her new life, and, save in memories of her childhood, is to be no longer one of the good people of Poganuc.
Years have passed since then. Dolly has held her place among the matronage of Boston; her sons have graduated at Harvard, and her daughters have recalled to memory the bright eyes and youthful bloom of their mother.
As to Poganuc, all whom we knew there have passed away; all the Town-Hill aristocracy and the laboring farmers of the outskirts have gone, one by one, to the peaceful sleep of the Poganuc graveyard. There was laid the powdered head, stately form, and keen blue eye of Colonel Davenport; there came in time the once active brain and ready tongue of Judge Belcher; there, the bright eyes and genial smile of Judge Gridley; there, the stalwart form of Tim Hawkins, the gray, worn frame of Zeph Higgins. Even Hiel's cheery face and vigorous arm had its time of waxing old and passing away, and was borne in to lie quiet under the daisies. The pastor and his wife sleep there peacefully with their folded flock around them.
"Kinsman and townsman are laid side by side,
Yet none have saluted, and none have replied."
A village of white stones stands the only witness of the persons of our story. Even the old meeting-house is dissolved and gone.
Generation passeth, generation cometh, saith the wise man, but the earth abideth forever. The hills of Poganuc are still beautiful in their summer woodland dress. The Poganuc river still winds at their feet with gentle murmur. The lake, in its steel-blue girdle of pines, still reflects the heavens as a mirror; its silent forest shores are full of life and wooded beauty. The elms that overarch the streets of the central village have spread their branches wider, and form a beautiful walk where other feet than those we wot of are treading. As other daisies have sprung in the meadows, and other bobolinks and bluebirds sing in the tree-tops, so other men and women have replaced those here written of, and the story of life still goes on from day to day among the Poganuc People.
The End.
TRADE PUBLICATIONS
OF
Fords, Howard, & Hulbert,
No. 27 Park Place, New York.
TO BE HAD OF BOOKSELLERS, OR WILL BE MAILED, POST-PAID, ON RECEIPT OF PRICE.
MAY 1st, 1878.
BRYANT, WILLIAM CULLEN.
A LIBRARY OF POETRY AND SONG: Being Choice Selections from the Best Poets, English, Scotch, Irish and American, including Translations from the Greek, Latin, German, Spanish, Italian, etc., with an Introduction in the form of a Treatise on the History and Functions of the Poetical Art, from the pen of the Editor. 832 pp., 8vo. Illustrated with a Steel Portrait of Mr. Bryant, 26 Autographic Fac-Similes of Celebrated Poets, and 16 Full-page Wood Engravings. Cloth, $5; Cloth Gilt, $6; Turkey Morocco, $10.
"Selections which nearly cover the entire historical period over which English poetry extends ... matter suited to every conceivable taste and variety of feeling and culture. We know of no similar collection in the English language which, in copiousness and felicity of selection and arrangement, can at all compare with it."—New York Times.
"Mr. Bryant's introduction to the volume is a most beautiful and comprehensive critical essay on poets and poetry, from the days of 'the father of English poetry' to the present time."—Albany Evening Journal.
DAVIS, Mrs. S. M.
LIFE AND TIMES OF SIR PHILIP SIDNEY. A Memorial of one whose name is a Synonym for every Manly Virtue. Illustrated with 3 Steel Plates: Portrait of Sidney; View of Penshurst Castle; Fac-Simile of Sidney's Manuscript. Stamped in ink and gold, with Sidney's Coat of Arms. 12mo. Cloth, beveled, $1.50.
"There are few more attractive figures in the glorious company of English heroes than Sidney, the soldier, courtier, scholar—the accepted type of an English gentleman ... yet, except in encyclopedias and kindred works, there is scarcely any satisfactory memoir of him accessible to the general reader, and the author of this book has done a good service in presenting a clear and well-written narrative."—Philadelphia Inquirer.
"A book well deserving the beautiful printing and binding into which the Fords have put it."—N.Y. Evening Mail.
"Worthy of place as an English Classic."—Pittsburgh Commercial.
FAMOUS FICTION.
A LIBRARY OF FAMOUS FICTION, or World's Story Book. Containing the Nine Standard Masterpieces of Imaginative Literature: "Pilgrim's Progress;" "Robinson Crusoe;" "Elizabeth, or the Exiles of Siberia;" "Undine;" "Vicar of Wakefield;" "Paul and Virginia;" "Picciola;" "Vathek;" "Tales from the Arabian Nights." 1,066 pp., 8vo. 34 Full-page Wood Engravings. Cloth, beveled, $4.
GOODWIN, Rev. T. A.
THE MODE OF MAN'S IMMORTALITY; or, The When, Where, and How of the Future Life. By the Author of "The Perfect Man." (Third edition.) 12mo. Cloth, $1.25.
"It is the product of his brain, for it is a book with an idea."—Dover Morning Star.
"The fact that this little treatise has reached a second edition is sufficient evidence that it finds appreciation among those who derive pleasure in speculation concerning the future existence."—Boston Post.
"Combats with energy and freshness of thought the idea of a resurrection of the material body that is laid in the grave.... A good book to arouse men to read the scriptures afresh, and to think."—Christian Union.
PATTON, JACOB HARRIS, A.M.
A CONCISE HISTORY OF THE AMERICAN PEOPLE, from the Discoveries of the Continent to 1876; giving a clear Account of their Political, Military, Moral, Industrial, and Commercial Life. Illustrated with Stuart's Portrait of Washington, Maps and Charts; and containing Marginal Dates, Statistical References, and a full Analytical Index. 1,018 pp. 8vo. Cloth, $3.00; Half Russia, $5.00.
"Mr. Patton's style is deserving of unqualified praise. It is pure, simple, strong, free from mannerism, and singularly easy and graceful. We anticipate for the work a cordial reception and extensive popularity among those who know how to prize the best books."—North American Review.
"A very satisfactory account of the history of the country from its first discovery; not so full as to be unmanageable from its numerous details, nor so short as to be merely a dry detail of facts and dates."—Cleveland Herald.
"With evident integrity of purpose, as well as with rare sagacity, the author has steered clear of the errors of a partisan, and has given us the story of the last few years very much as it will be read by an impartial posterity."—N. Y. Evangelist.
"Our wonder is that so much of American history could be comprised in one octavo volume; at the same time, it is very graphically written, in a clear unostentatious style; our frequent use of it convinces us of its great accuracy."—N.Y. Observer.
RAYMOND, ROSSITER W.
BRAVE HEARTS. An American Novel. Illustrations by Darley, Stephens, Beard, and Kendrick. 12mo. Cloth, $1.00.
"A successful experiment. It is a tale of two regions—alternations between the quiet scenes of New England and the rough, boisterous and dangerous life of an extempore Californian."—Philadelphia Evening Herald.
"A really good American novel.... The purpose of the book is indicated by its title. It is a representation of courage, in various forms of individual character."—Boston Globe.
STOWE, Mrs. HARRIET B.
MY WIFE AND I: Or, Harry Henderson's History. A Novel. Illustrated. 12mo. Cloth, $1.50.
"Always bright, piquant, and entertaining, with an occasional touch of tenderness, strong because subtle, keen in sarcasm, full of womanly logic directed against unwomanly tendencies."—Boston Journal.
WE AND OUR NEIGHBORS: The Records of an Unfashionable Street. A Novel. Illustrated. 12mo. Cloth, $1.50.
"Written in Mrs. Stowe's genial, hearty style, with the sparkle of fun, wit and humor, and the touches of deep pathos which characterize her work."—Worcester Spy.
BETTY'S BRIGHT IDEA: and Other Tales. Comprising "Betty's Bright Idea," "Deacon Pitkin's Farm," and "The First Christmas in New England." Illustrated. 12mo. Cloth, 75 cts.
"They are charming tales."—Springfield Union.
"There are tears between the lines, and smiles—bits of sunshine in an April sky—such as Mrs. Stowe knows how to paint."—Chicago Inter-Ocean.
POGANUC PEOPLE: Their Loves and Lives. A Novel. Illustrated. 12mo. Cloth, $1.50. (Just out.)
In the style of early New England scene and character, in which Mrs. Stowe is so inimitable. As "Oldtown Folks" was said to be founded on Dr. Stowe's childhood memories, so this is drawn from some of the author's own reminiscences, and has all the brightness of genuine portraiture.
BIBLE HEROINES: Narrative Biographies of Prominent Hebrew Women in the Patriarchal, National and Christian Eras. Imperial Octavo. Spirited frontispiece, "Deborah the Prophetess." Elegantly bound, red burnished edges. $2.
"The fine penetration, quick insight, sympathetic nature, and glowing narrative, which have marked Mrs. Stowe's previous works are found in these pages, and the whole work is one which readily captivates equally the cultivated and the religiously fervent nature."—Boston Commonwealth.
FOOTSTEPS OF THE MASTER: Studies in the Life of Christ. With Illustrations and Illuminated Titles. 12mo. Cloth, $1.50.
"A very sweet book of wholesome religious thought."—N.Y. Evening Post.
"A congenial field for the exercise of her choice literary gifts and poetic tastes, her ripe religious experience, and her fervent Christian faith. A book of exceptional beauty and substantial worth."—Congregationalist (Boston).
Fords, Howard, & Hulbert publish, by subscription, a list of attractive Illustrated Standard Works, which afford remunerative employment to Canvassers of the right kind. These publications are of high literary and artistic character, and command ready sales.

Correspondence is invited.
Obvious typographical errors and punctuation errors have been corrected after careful comparison with other occurrences within the text and consultation of external sources.
Except for those changes noted below, misspelling in the text, and inconsistent or archaic usage, have been retained. For example, trowsers; instancy; cookey, cooky; blue bird, blue-bird; court house, court-house.
Pg 59. 'saace' replaced by 'saase'.
Pg 72. 'de-degrees' replaced by 'degrees'.
Pg 130. 'varities' replaced by 'varieties'.
Pg 133. 'suprised' replaced by 'surprised'.
Pg 139. 'prognostigations' replaced by 'prognostications'.
Pg 184. 'langguages' replaced by 'languages'.
Pg 193. 'Just as' replaced by 'Just at'.
Pg 240. 'fire-palace' replaced by 'fire-place'.
Pg 243. 'in a a corner' replaced by 'in a corner'.
Pg 345. 'and remarks' replaced by 'any remarks'.
End of the Project Gutenberg EBook of Poganuc People, by Harriet Beecher Stowe
*** END OF THIS PROJECT GUTENBERG EBOOK POGANUC PEOPLE ***
***** This file should be named 48190-h.htm or 48190-h.zip *****
This and all associated files of various formats will be found in:
http://www.gutenberg.org/4/8/1/9/48190/
Produced by David Edwards, John Campbell and the Online
Distributed Proofreading Team at http://www.pgdp.net (This
file was produced from images generously made available
by The Internet Archive)
Updated editions will replace the previous one--the old editions will
be renamed.
Creating the works from print editions not protected by U.S. copyright
law means that no one owns a United States copyright in these works,
so the Foundation (and you!) can copy and distribute it in the United
States without permission and without paying copyright
royalties. Special rules, set forth in the General Terms of Use part
of this license, apply to copying and distributing Project
Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
concept and trademark. Project Gutenberg is a registered trademark,
and may not be used if you charge for the eBooks, unless you receive
specific permission. If you do not charge anything for copies of this
eBook, complying with the rules is very easy. You may use this eBook
for nearly any purpose such as creation of derivative works, reports,
performances and research. They may be modified and printed and given
away--you may do practically ANYTHING in the United States with eBooks
not protected by U.S. copyright law. Redistribution is subject to the
trademark license, especially commercial redistribution.
START: FULL LICENSE
THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full
Project Gutenberg-tm License available with this file or online at
www.gutenberg.org/license.
Section 1. General Terms of Use and Redistributing Project
Gutenberg-tm electronic works
1.A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or
destroy all copies of Project Gutenberg-tm electronic works in your
possession. If you paid a fee for obtaining a copy of or access to a
Project Gutenberg-tm electronic work and you do not agree to be bound
by the terms of this agreement, you may obtain a refund from the
person or entity to whom you paid the fee as set forth in paragraph
1.E.8.
1.B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this
agreement and help preserve free future access to Project Gutenberg-tm
electronic works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation ("the
Foundation" or PGLAF), owns a compilation copyright in the collection
of Project Gutenberg-tm electronic works. Nearly all the individual
works in the collection are in the public domain in the United
States. If an individual work is unprotected by copyright law in the
United States and you are located in the United States, we do not
claim a right to prevent you from copying, distributing, performing,
displaying or creating derivative works based on the work as long as
all references to Project Gutenberg are removed. Of course, we hope
that you will support the Project Gutenberg-tm mission of promoting
free access to electronic works by freely sharing Project Gutenberg-tm
works in compliance with the terms of this agreement for keeping the
Project Gutenberg-tm name associated with the work. You can easily
comply with the terms of this agreement by keeping this work in the
same format with its attached full Project Gutenberg-tm License when
you share it without charge with others.
1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are
in a constant state of change. If you are outside the United States,
check the laws of your country in addition to the terms of this
agreement before downloading, copying, displaying, performing,
distributing or creating derivative works based on this work or any
other Project Gutenberg-tm work. The Foundation makes no
representations concerning the copyright status of any work in any
country outside the United States.
1.E. Unless you have removed all references to Project Gutenberg:
1.E.1. The following sentence, with active links to, or other
immediate access to, the full Project Gutenberg-tm License must appear
prominently whenever any copy of a Project Gutenberg-tm work (any work
on which the phrase "Project Gutenberg" appears, or with which the
phrase "Project Gutenberg" is associated) is accessed, displayed,
performed, viewed, copied or distributed:
This eBook is for the use of anyone anywhere in the United States and
most other parts of the world at no cost and with almost no
restrictions whatsoever. You may copy it, give it away or re-use it
under the terms of the Project Gutenberg License included with this
eBook or online at www.gutenberg.org. If you are not located in the
United States, you'll have to check the laws of the country where you
are located before using this ebook.
1.E.2. If an individual Project Gutenberg-tm electronic work is
derived from texts not protected by U.S. copyright law (does not
contain a notice indicating that it is posted with permission of the
copyright holder), the work can be copied and distributed to anyone in
the United States without paying any fees or charges. If you are
redistributing or providing access to a work with the phrase "Project
Gutenberg" associated with or appearing on the work, you must comply
either with the requirements of paragraphs 1.E.1 through 1.E.7 or
obtain permission for the use of the work and the Project Gutenberg-tm
trademark as set forth in paragraphs 1.E.8 or 1.E.9.
1.E.3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any
additional terms imposed by the copyright holder. Additional terms
will be linked to the Project Gutenberg-tm License for all works
posted with the permission of the copyright holder found at the
beginning of this work.
1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.
1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.
1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including
any word processing or hypertext form. However, if you provide access
to or distribute copies of a Project Gutenberg-tm work in a format
other than "Plain Vanilla ASCII" or other format used in the official
version posted on the official Project Gutenberg-tm web site
(www.gutenberg.org), you must, at no additional cost, fee or expense
to the user, provide a copy, a means of exporting a copy, or a means
of obtaining a copy upon request, of the work in its original "Plain
Vanilla ASCII" or other form. Any alternate format must include the
full Project Gutenberg-tm License as specified in paragraph 1.E.1.
1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.
1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works
provided that
* You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg-tm works calculated using the method
you already use to calculate your applicable taxes. The fee is owed
to the owner of the Project Gutenberg-tm trademark, but he has
agreed to donate royalties under this paragraph to the Project
Gutenberg Literary Archive Foundation. Royalty payments must be paid
within 60 days following each date on which you prepare (or are
legally required to prepare) your periodic tax returns. Royalty
payments should be clearly marked as such and sent to the Project
Gutenberg Literary Archive Foundation at the address specified in
Section 4, "Information about donations to the Project Gutenberg
Literary Archive Foundation."
* You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he
does not agree to the terms of the full Project Gutenberg-tm
License. You must require such a user to return or destroy all
copies of the works possessed in a physical medium and discontinue
all use of and all access to other copies of Project Gutenberg-tm
works.
* You provide, in accordance with paragraph 1.F.3, a full refund of
any money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days of
receipt of the work.
* You comply with all other terms of this agreement for free
distribution of Project Gutenberg-tm works.
1.E.9. If you wish to charge a fee or distribute a Project
Gutenberg-tm electronic work or group of works on different terms than
are set forth in this agreement, you must obtain permission in writing
from both the Project Gutenberg Literary Archive Foundation and The
Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm
trademark. Contact the Foundation as set forth in Section 3 below.
1.F.
1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
works not protected by U.S. copyright law in creating the Project
Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
electronic works, and the medium on which they may be stored, may
contain "Defects," such as, but not limited to, incomplete, inaccurate
or corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged disk or
other medium, a computer virus, or computer codes that damage or
cannot be read by your equipment.
1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.
1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium
with your written explanation. The person or entity that provided you
with the defective work may elect to provide a replacement copy in
lieu of a refund. If you received the work electronically, the person
or entity providing it to you may choose to give you a second
opportunity to receive the work electronically in lieu of a refund. If
the second copy is also defective, you may demand a refund in writing
without further opportunities to fix the problem.
1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of
damages. If any disclaimer or limitation set forth in this agreement
violates the law of the state applicable to this agreement, the
agreement shall be interpreted to make the maximum disclaimer or
limitation permitted by the applicable state law. The invalidity or
unenforceability of any provision of this agreement shall not void the
remaining provisions.
1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in
accordance with this agreement, and any volunteers associated with the
production, promotion and distribution of Project Gutenberg-tm
electronic works, harmless from all liability, costs and expenses,
including legal fees, that arise directly or indirectly from any of
the following which you do or cause to occur: (a) distribution of this
or any Project Gutenberg-tm work, (b) alteration, modification, or
additions or deletions to any Project Gutenberg-tm work, and (c) any
Defect you cause.
Section 2. Information about the Mission of Project Gutenberg-tm
Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new computers. It
exists because of the efforts of hundreds of volunteers and donations
from people in all walks of life.
Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future
generations. To learn more about the Project Gutenberg Literary
Archive Foundation and how your efforts and donations can help, see
Sections 3 and 4 and the Foundation information page at
www.gutenberg.org
Section 3. Information about the Project Gutenberg Literary Archive Foundation
The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation's EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg Literary
Archive Foundation are tax deductible to the full extent permitted by
U.S. federal laws and your state's laws.
The Foundation's principal office is in Fairbanks, Alaska, with the
mailing address: PO Box 750175, Fairbanks, AK 99775, but its
volunteers and employees are scattered throughout numerous
locations. Its business office is located at 809 North 1500 West, Salt
Lake City, UT 84116, (801) 596-1887. Email contact links and up to
date contact information can be found at the Foundation's web site and
official page at www.gutenberg.org/contact
For additional contact information:
Dr. Gregory B. Newby
Chief Executive and Director
gbnewby@pglaf.org
Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation
Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.
The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To SEND
DONATIONS or determine the status of compliance for any particular
state visit www.gutenberg.org/donate
While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.
International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.
Please check the Project Gutenberg Web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations. To
donate, please visit: www.gutenberg.org/donate
Section 5. General Information About Project Gutenberg-tm electronic works.
Professor Michael S. Hart was the originator of the Project
Gutenberg-tm concept of a library of electronic works that could be
freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg-tm eBooks with only a loose network of
volunteer support.
Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as not protected by copyright in
the U.S. unless a copyright notice is included. Thus, we do not
necessarily keep eBooks in compliance with any particular paper
edition.
Most people start at our Web site which has the main PG search
facility: www.gutenberg.org
This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.