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THE RELIGIOUS LIFE.

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The Double Contest Against Evil.—If an evil afflicts us we can either so deal with it as to remove its cause or else so deal with it that its effect upon our feeling is changed: hence look upon the evil as a benefit of which the uses will perhaps first become evident in some subsequent period. Religion and art (and also the metaphysical philosophy) strive to effect an alteration of the feeling, partly by an alteration of our judgment respecting the experience (for example, with the aid of the dictum "whom God loves, he chastizes") partly by the awakening of a joy in pain, in emotion especially (whence the art of tragedy had its origin). The more one is disposed to interpret away and justify, the less likely he is to look directly at the causes of evil and eliminate them. An instant alleviation and narcotizing of pain, as is usual in the case of tooth ache, is sufficient for him even in the severest suffering. The more the domination of religions and of all narcotic arts declines, the more searchingly do men look to the elimination of evil itself, which is a rather bad thing for the tragic poets—for there is ever less and less material for tragedy, since the domain of unsparing, immutable destiny grows constantly more circumscribed—and a still worse thing for the priests, for these last have lived heretofore upon the narcoticizing of human ill.

109

Sorrow is Knowledge.—How willingly would not one exchange the false assertions of the homines religiosi that there is a god who commands us to be good, who is the sentinel and witness of every act, every moment, every thought, who loves us, who plans our welfare in every misfortune—how willingly would not one exchange these for truths as healing, beneficial and grateful as those delusions! But there are no such truths. Philosophy can at most set up in opposition to them other metaphysical plausibilities (fundamental untruths as well). The tragedy of it all is that, although one cannot believe these dogmas of religion and metaphysics if one adopts in heart and head the potent methods of truth, one has yet become, through human evolution, so tender, susceptible, sensitive, as to stand in need of the most effective means of rest and consolation. From this state of things arises the danger that, through the perception of truth or, more accurately, seeing through delusion, one may bleed to death. Byron has put this into deathless verse:

"Sorrow is knowledge: they who know the most
Must mourn the deepest o'er the fatal truth,
The tree of knowledge is not that of life."

Against such cares there is no better protective than the light fancy of Horace, (at any rate during the darkest hours and sun eclipses of the soul) expressed in the words

"quid aeternis minorem
consiliis animum fatigas?
cur non sub alta vel platano vel hac
pinu jacentes."22


22

Then wherefore should you, who are mortal, outwear
Your soul with a profitless burden of care
Say, why should we not, flung at ease neath this pine,
Or a plane-tree's broad umbrage, quaff gaily our wine?
(Translation of Sir Theodore Martin.)

At any rate, light fancy or heavy heartedness of any degree must be better than a romantic retrogression and desertion of one's flag, an approach to Christianity in any form: for with it, in the present state of knowledge, one can have nothing to do without hopelessly defiling one's intellectual integrity and surrendering it unconditionally. These woes may be painful enough, but without pain one cannot become a leader and guide of humanity: and woe to him who would be such and lacks this pure integrity of the intellect!

110

The Truth in Religion.—In the ages of enlightenment justice was not done to the importance of religion, of this there can be no doubt. It is also equally certain that in the ensuing reaction of enlightenment, the demands of justice were far exceeded inasmuch as religion was treated with love, even with infatuation and proclaimed as a profound, indeed the most profound knowledge of the world, which science had but to divest of its dogmatic garb in order to possess "truth" in its unmythical form. Religions must therefore—this was the contention of all foes of enlightenment—sensu allegorico, with regard for the comprehension of the masses, give expression to that ancient truth which is wisdom in itself, inasmuch as all science of modern times has led up to it instead of away from it. So that between the most ancient wisdom of man and all later wisdom there prevails harmony, even similarity of viewpoint; and the advancement of knowledge—if one be disposed to concede such a thing—has to do not with its nature but with its propagation. This whole conception of religion and science is through and through erroneous, and none would to-day be hardy enough to countenance it had not Schopenhauer's rhetoric taken it under protection, this high sounding rhetoric which now gains auditors after the lapse of a generation. Much as may be gained from Schopenhauer's religio-ethical human and cosmical oracle as regards the comprehension of Christianity and other religions, it is nevertheless certain that he erred regarding the value of religion to knowledge. He himself was in this but a servile pupil of the scientific teachers of his time who had all taken romanticism under their protection and renounced the spirit of enlightenment. Had he been born in our own time it would have been impossible for him to have spoken of the sensus allegoricus of religion. He would instead have done truth the justice to say: never has a religion, directly or indirectly, either as dogma or as allegory, contained a truth. For all religions grew out of dread or necessity, and came into existence through an error of the reason. They have, perhaps, in times of danger from science, incorporated some philosophical doctrine or other into their systems in order to make it possible to continue one's existence within them. But this is but a theological work of art dating from the time in which a religion began to doubt of itself. These theological feats of art, which are most common in Christianity as the religion of a learned age, impregnated with philosophy, have led to this superstition of the sensus allegoricus, as has, even more, the habit of the philosophers (namely those half-natures, the poetical philosophers and the philosophising artists) of dealing with their own feelings as if they constituted the fundamental nature of humanity and hence of giving their own religious feelings a predominant influence over the structure of their systems. As the philosophers mostly philosophised under the influence of hereditary religious habits, or at least under the traditional influence of this "metaphysical necessity," they naturally arrived at conclusions closely resembling the Judaic or Christian or Indian religious tenets—resembling, in the way that children are apt to look like their mothers: only in this case the fathers were not certain as to the maternity, as easily happens—but in the innocence of their admiration, they fabled regarding the family likeness of all religion and science. In reality, there exists between religion and true science neither relationship nor friendship, not even enmity: they dwell in different spheres. Every philosophy that lets the religious comet gleam through the darkness of its last outposts renders everything within it that purports to be science, suspicious. It is all probably religion, although it may assume the guise of science.—Moreover, though all the peoples agree concerning certain religious things, for example, the existence of a god (which, by the way, as regards this point, is not the case) this fact would constitute an argument against the thing agreed upon, for example the very existence of a god. The consensus gentium and especially hominum can probably amount only to an absurdity. Against it there is no consensus omnium sapientium whatever, on any point, with the exception of which Goethe's verse speaks:

"All greatest sages to all latest ages
Will smile, wink and slily agree
'Tis folly to wait till a fool's empty pate
Has learned to be knowing and free.
So children of wisdom must look upon fools
As creatures who're never the better for schools."

Stated without rhyme or metre and adapted to our case: the consensus sapientium is to the effect that the consensus gentium amounts to an absurdity.

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